{"id":48364,"date":"2021-03-17T12:53:00","date_gmt":"2021-03-17T12:53:00","guid":{"rendered":"https:\/\/www.museum-aarschot.be\/ix-seven-impressive-misses\/"},"modified":"2021-03-17T12:53:00","modified_gmt":"2021-03-17T12:53:00","slug":"ix-seven-impressive-misses","status":"publish","type":"post","link":"https:\/\/www.museum-aarschot.be\/en\/ix-seven-impressive-misses\/","title":{"rendered":"IX Seven impressive Misses"},"content":{"rendered":"\n

<< VIII Spare little brother<\/a><\/p>\n\n\n\n

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standing: Canon Van Buggenhout, … , Godfried Van Kerckhoven, Margheritha Van Kerckhoven, Arthur Van Kerckhoven, Paul Van Kerckhoven seated: Jos Van Kerckhoven, Elvire Van Kerckhoven, … , Richard Van Kerckhoven, sister, … , Clara Van Kerckhoven<\/p>\n\n\n\n

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Time to get to know in detail Frie\u2019s seven doting aunts, who inflexibly leave a heavy mark on the family of his parents. Central question: do they dominate out of insecurity, or because of a trauma from the past, or to feel better about themselves? Who can say.<\/p>\n\n\n\n

The seven daughters attribute nobility of bearing and grandeur to old Herman but are determined not to look after him in his old age. He is \u2018parked\u2019 with Frie\u2019s mother. They leave behind the archaic, patriarchal and Victorian story of the nineteenth century. After the First World War and the Spanish Flu of 1918, a pandemic that wiped out part of the European population, the original roaring twenties follow. Les Demoiselles convert their father\u2019s workshop into a clothing business called \u2018Gezusters Van Kerckhoven\u2019. The sisters deliberately choose to remain independent, not subject to a man. The twenties are typical of the rise of jazz, radio, women\u2019s suffrage and other social upheavals. New radical art movements such as surrealism emerge.<\/p>\n\n\n\n

They all become devout and shrewd businesswomen in Aarschot and Leuven.<\/p>\n\n\n\n

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Aarschot, the Demer and the Collegiate Church of Our Lady, built in the 13th, 14th and 15th centuries. Renowned Gothic choir screen and beautifully carved choir stalls.<\/strong><\/p>\n\n\n\n

THE DOTING AUNTS WHO STAY IN AARSCHOT:<\/strong>
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\"Deze<\/figure>\n\n\n\n

Clara<\/strong> Van Kerckhoven<\/strong> (1884-1951)

The figurehead of the aunts always looks impeccable. Yet her name has resonated less than that of other aunts such as Margueritte or Josse. That was because she always worked and was discreet.<\/p>\n\n\n\n

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Clara<\/strong><\/p>\n\n\n\n


The forgotten aunt<\/strong><\/p>\n\n\n\n

\"Deze<\/figure>\n\n\n\n

Sylvie<\/strong> Van Kerckhoven<\/strong> (1878-1949)
Meet the upright Sylvie. Her cousin Godfried repeatedly says how deeply humane she was, the embodiment of pure commitment and great joy of life. Sylvie\u2019s life was marked by sacrifice. She was very present in the shop, which had to be kept going. On top of that she spent a large part of her life with a very strict father. War is bad, praying is good: Sylvie went to church every morning and to confession weekly.<\/p>\n\n\n\n

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Confessional (16th century), Church of Our Lady, Aarschot. If the God-fearing Sylvie forgets to confess a sin, she turns back and joins the long queue again.<\/p>\n\n\n\n

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