{"id":48031,"date":"2018-08-03T14:39:07","date_gmt":"2018-08-03T14:39:07","guid":{"rendered":"https:\/\/www.museum-aarschot.be\/brigitte-raskin\/"},"modified":"2018-08-03T14:39:07","modified_gmt":"2018-08-03T14:39:07","slug":"brigitte-raskin","status":"publish","type":"post","link":"https:\/\/www.museum-aarschot.be\/en\/brigitte-raskin\/","title":{"rendered":"Brigitte Raskin"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><br>BRIGITTE RASKIN, one of the most important Flemish women writers, comes from Aarschot. She has a degree in history and is a journalist.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\">Brigitte Raskin exchanged her combined career as journalist and teacher for writing after her debut Het koekoeksjong was awarded the AKO Literature Prize in 1989 and the Prize of the Flemish Reader in 1990.   Historical research is usually also the starting point for her literary work.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>AFSCHEID VAN STEEN <\/strong>: Het domein van de kindertijd <\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\">The autobiographical stories in Afscheid van steen are set in seemingly banal Aarschot, a city of chocolate, after the brown ironstone from which the church and the facades of the town houses are built. Brigitte Raskin returns to this town and the house of her childhood in many ways. Walking through memories, she tenderly but resolutely leaves the domain of childhood behind her.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"646\" height=\"1024\" src=\"https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/raskin-21-646x1024.jpg\" alt=\"\" class=\"wp-image-5163\" srcset=\"https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/raskin-21-646x1024.jpg 646w, https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/raskin-21-189x300.jpg 189w, https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/raskin-21-508x805.jpg 508w, https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/raskin-21.jpg 760w\" sizes=\"auto, (max-width: 646px) 100vw, 646px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>DE EEUW VAN DE EKSTER  <\/strong><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\">The life story of the writer\u2019s uncle, Father Raskin (1892-1943), who was a missionary in China. In the Second World War he became an army chaplain, sent messages to England, was imprisoned by the Germans and beheaded. Brigitte Raskin visited the places where her uncle lived and worked and travelled to China in 1991. <br><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"677\" height=\"1024\" src=\"https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/8d6b1766-ec6d-432e-a4b2-62388cbe180f-677x1024.jpg\" alt=\"\" class=\"wp-image-5153\" srcset=\"https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/8d6b1766-ec6d-432e-a4b2-62388cbe180f.jpg 677w, https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/8d6b1766-ec6d-432e-a4b2-62388cbe180f-198x300.jpg 198w, https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/8d6b1766-ec6d-432e-a4b2-62388cbe180f-508x768.jpg 508w\" sizes=\"auto, (max-width: 677px) 100vw, 677px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Father Raskin is a local hero (his statue stands in Aarschot) and like every hero he is a problematic figure. In her attempts to put that problem into words, Brigitte Raskin comes ever closer to a truth that is at once very intimate and for all time.<br><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>HET KOEKOEKSJONG&nbsp;&#8211;<\/strong> <strong>\u2018A penetrating picture of the past half<\/strong> <strong>century\u2019<\/strong> <\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\">AKO Literature Prize  <\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\">Prize of the Flemish Reader<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\">&#8220;<em>Then began the endless wandering of Frans, the \u2018cuckoo chick\u2019, from a step-grandfather to homes, rented rooms and prisons.\u201d<\/em><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\">\u201cA person can be dead as a doornail like Frans Maes, or live on like my mother in memory. One dead person is not the other..\u201d<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"280\" src=\"https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/Unknown.jpeg\" alt=\"\" class=\"wp-image-5159\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>DE GESTOLEN PRINSES&nbsp;&#8211;&nbsp;The&nbsp;life&nbsp;of&nbsp;Princess&nbsp;Isabella&nbsp;(1501-1526)&nbsp;<\/strong><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\">An older woman tells how she once cut a piece out of an old painting in the town hall of Mechelen. Why she did this slowly becomes clear and appears to have everything to do with her fascination with the life of Princess Isabella, the younger sister of Charles V. The story of this unhappy princess is based on facts.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"546\" height=\"840\" src=\"https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/1001004006172236.jpg\" alt=\"\" class=\"wp-image-5168\" srcset=\"https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/1001004006172236.jpg 546w, https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/1001004006172236-195x300.jpg 195w, https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/1001004006172236-508x782.jpg 508w\" sizes=\"auto, (max-width: 546px) 100vw, 546px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"De Gestolen Prinses\" width=\"620\" height=\"465\" src=\"https:\/\/www.youtube.com\/embed\/3Asrl9_Jmfc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>DE TAALGRENS : of wat de Belgen zowel verbindt als verdeelt<\/strong><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\">How did the Germanic-Romance culture and language border come about in Europe? What problems did bilingualism bring to Belgium?<br>The series Geschiedenis voor iedereen fills the gaps in your historical knowledge.<\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"550\" height=\"746\" src=\"https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/1001004009905797.jpg\" alt=\"\" class=\"wp-image-5201\" srcset=\"https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/1001004009905797.jpg 550w, https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/1001004009905797-221x300.jpg 221w, https:\/\/www.museum-aarschot.be\/wp-content\/uploads\/2019\/01\/1001004009905797-508x689.jpg 508w\" sizes=\"auto, (max-width: 550px) 100vw, 550px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-embed-youtube wp-block-embed is-type-video is-provider-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Brigitte Raskin: De Taalgrens\" width=\"620\" height=\"349\" src=\"https:\/\/www.youtube.com\/embed\/HVniOvwOlIU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>BIOGRAPHY<\/strong><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>25 July 1947:<\/strong>&nbsp;Born in Aarschot as the fifth of six children in a Catholic middle-class family. Her father, Paul Raskin, was a justice of the peace. According to her website she received a \u201cChristian, middle-class and studious upbringing\u201d. In her youth she was active in the local girl scouts.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>18 March 1959:<\/strong>&nbsp;Her mother Maria \u2019s Heeren dies when Brigitte is twelve.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1959-1965:<\/strong>&nbsp;Follows the Greek-Latin stream at the boarding school Paridaens in Leuven.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1965-1971:<\/strong>Studies Modern History at the KUL. She graduated with a thesis on the Davidsfonds. She also studies press and communication sciences, but without a final thesis.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>There she becomes involved in the struggle for the Flemishisation and democratisation of the university and evolves in a left-wing direction.<\/li><li>At that time she also publishes her first articles in the student magazine&nbsp;<em>Universitas<\/em>. The magazine was discontinued in 1970 after a sensational themed issue on sex.<\/li><\/ul>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1970:<\/strong>&nbsp;Graduates from the KUL as a historian.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1970-1971:<\/strong>&nbsp;Contributes to&nbsp;<em>De Nieuwe Gids<\/em>&nbsp;(press review) and to&nbsp;<em>Spectator<\/em>&nbsp;(book reviews).<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1971-1976:&nbsp;<\/strong>Journalist and editorial secretary at the progressive weekly \u2018<em>De Nieuwe\u2019<\/em>&nbsp;by&nbsp;<a href=\"http:\/\/nl.wikipedia.org\/wiki\/Mark_Grammens\" target=\"_blank\" rel=\"noreferrer noopener\">Mark Grammens<\/a>.&nbsp;<a href=\"http:\/\/nl.wikipedia.org\/wiki\/Gal_(cartoonist)\" target=\"_blank\" rel=\"noreferrer noopener\">Gerard Alsteens&nbsp;<\/a>(GAL) was the cartoonist and layout man there.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1974:<\/strong>&nbsp;Marries Edgar Alsteens (GAL\u2019s twin brother). Moves to Overijse, where her husband is a grape grower.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1975:<\/strong>&nbsp;Leaves De Nieuwe. Continues to write regularly for the magazine, as well as for Knack, De Groene Amsterdammer, among others.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1975 \u2013 1980:<\/strong>&nbsp;History teacher in state education. (in Sint-Pieters-Woluwe, Halle, Keerbergen and Brussels)<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\">In Humo she is proclaimed \u201cLa Passionaria of small progressive Flanders\u201d; in De Randkrant she writes a monthly column.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1976:<\/strong>&nbsp;Birth of Stijn Alsteens.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1978:<\/strong>&nbsp;Birth of Korneel Alsteens.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1981-1990:<\/strong>&nbsp;Succeeds Luc Huyse as editor-in-chief of the socially critical magazine&nbsp;<em>De Nieuwe Maand.<\/em><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1982-1984:<\/strong>Weekly contribution under the name Brelle in the satirical weekly \u2018De Zwijger\u2019 by<a rel=\"noreferrer noopener\" href=\"http:\/\/schrijversgewijs.be\/schrijvers\/anthierens-johan\/\" target=\"_blank\">Johan Anthierens<\/a>.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1983:<\/strong>&nbsp;Birth of Lotte Alsteens.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1984:<\/strong>&nbsp;Trip to Cuba in the company of Belgian journalists.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1984-1987:<\/strong>&nbsp;Takes part in \u2018Namen noemen\u2019, a VRT game show. (which makes her a \u2018Bekende Vlaming\u2019, a well-known Fleming)<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1988:<\/strong>&nbsp;Publication of her novel debut&nbsp;<em>\u2018Het koekoeksjong\u2019&nbsp;<\/em>a documentary novel.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>That book is an immediate bull\u2019s-eye, because she receives the AKO Literature Prize for it in 1989. In 1990 this book also receives the Prize of the Flemish Reader.<\/li><\/ul>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1989:<\/strong>&nbsp;Leaves teaching and becomes a full-time writer. In August her father dies.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1989-1990:<\/strong>&nbsp;Takes part in the AVRO television programme&nbsp;<em>\u2018Van de rug af gezien\u2019<\/em>.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1990:<\/strong>&nbsp;Publication of the novel&nbsp;<em>\u2018Overwinterdagboek\u2019<\/em><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1991:&nbsp;<\/strong>Publication of \u2018<em>De Maagd van Antwerpen\u2019<\/em>, written on commission from the Vereniging ter Bevordering van het Vlaamse Boekwezen, as part of the campaign \u2018The written word\u2019 (See also the final word at the end of this entry)<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Contributes to the book \u2018<em>De Taalmeesters\u2019<\/em>&nbsp;(ed. Dick Poons, Amsterdam, Amber), the outcome of the television programme&nbsp;<em>Van de rug af gezien<\/em>.<\/li><li>Trip to Indonesia as part of a literary festival.<\/li><li>Leaves&nbsp;<em>De Nieuwe Maand&nbsp;<\/em>as editor-in-chief, but remains a contributor until the magazine ceases to exist (1993).<\/li><li>Preparation of a novel about her uncle Joseph Raskin, missionary and war hero. Travels by ship to China, where she stays for some time.<\/li><\/ul>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1994:<\/strong>&nbsp;Publication of \u2018<em>De eeuw van de ekster\u2019<\/em>, a literary documentary about Joseph Raskin.<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>A statue of<a rel=\"noreferrer noopener\" href=\"http:\/\/www.standbeelden.be\/standbeeld\/53\" target=\"_blank\">Father Joseph Raskin<\/a>stands in Aarschot &#8211; De Hoogbrug, Amerstraat and Raskin kade.<\/li><\/ul>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\">Second trip to Indonesia.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1995:<\/strong>&nbsp;A report on Moscow\u2019s homeless for Doctors Without Borders appears in<em>&nbsp;Knack<\/em>&nbsp;and in&nbsp;<em>Populations en danger. \u00c9crivains. Photographes. Regards<\/em>. (Editions Michalon \u2013 Arte\/ La Sept Editions).<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>1996:<\/strong>&nbsp;Publication of \u2018<em>Afscheid van steen. Het domein van de kindertijd\u2019<\/em>&nbsp;a collection of new and previously published stories, including a revised version of \u2018<em>De Maagd van Antwerpen\u2019.<\/em><\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>2010 :&nbsp;<\/strong>In an open letter in&nbsp;<em>De Standaard<\/em>&nbsp;Raskin argues for the poem \u2018Bericht aan de reizigers\u2019 by&nbsp;<a href=\"http:\/\/schrijversgewijs.be\/schrijvers\/van-nijlen-jan\/\" target=\"_blank\" rel=\"noreferrer noopener\">Jan van Nijlen<\/a>&nbsp;to be installed in the Central Station in Antwerp. The NMBS and Antwerpen Boekenstad then met, as did Raskin herself, about the possibilities. Afterwards Paul van Aelst of the NMBS let it be known that the engineer-architect was enthusiastic about the proposal. \u2018<em>Bericht aan de reizigers\u2019<\/em>&nbsp;would be installed in the transition zone between the tracks and the station hall. In this way an old dream of Johan Anthierens becomes reality.<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\">Brigitte Raskin published contributions in various collections<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>1988: Onmogelijke interviews. (Leuven:Kritak)<\/li><li>1990: Burengerucht. Het Vlaams verhaal doet weer de ronde. (Amsterdam\/Leuven, Meulenhoff\/Kritak).<\/li><li>1994: Cahier d\u2019amour. Liefdesbrieven. Samenstelling Luc Coorevits (\u2019s Gravenhage\/Rotterdam, Nijgh &amp; Van Ditmar)<\/li><li>1994: De huid voorbij. Prostitu\u00e9es vertellen. (Antwerpen, Coda)<\/li><li>\u2026.<\/li><\/ul>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\">Brigitte Raskin continues to combine her literary and publicist work with journalistic work and is on occasion a reporter, interviewer, columnist (including for the monthly&nbsp;<em>RandKrant<\/em>) and reviewer (including for the&nbsp;<em>Letteren<\/em>supplement of&nbsp;<em>De Standaard<\/em>).<\/p>\n\n\n\n<p class=\"has-text-color wp-block-paragraph\" style=\"color:#2e08ab\"><strong>source : \u201cSchrijversgewijs\u201d Flemish writers &#8211; 1830 &#8211; present<\/strong> <\/p>\n","protected":false},"excerpt":{"rendered":"<p>BRIGITTE RASKIN, one of the most important Flemish women writers, comes from Aarschot. She has a degree in history and is a journalist. Brigitte Raskin exchanged her combined&#8230;<\/p>\n","protected":false},"author":2,"featured_media":5158,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[30,27],"tags":[],"class_list":["post-48031","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists","category-uncategorized-en"],"_links":{"self":[{"href":"https:\/\/www.museum-aarschot.be\/en\/wp-json\/wp\/v2\/posts\/48031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.museum-aarschot.be\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.museum-aarschot.be\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.museum-aarschot.be\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.museum-aarschot.be\/en\/wp-json\/wp\/v2\/comments?post=48031"}],"version-history":[{"count":0,"href":"https:\/\/www.museum-aarschot.be\/en\/wp-json\/wp\/v2\/posts\/48031\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.museum-aarschot.be\/en\/wp-json\/wp\/v2\/media\/5158"}],"wp:attachment":[{"href":"https:\/\/www.museum-aarschot.be\/en\/wp-json\/wp\/v2\/media?parent=48031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.museum-aarschot.be\/en\/wp-json\/wp\/v2\/categories?post=48031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.museum-aarschot.be\/en\/wp-json\/wp\/v2\/tags?post=48031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}